Mix & Mastering Suite
Suite of six mix and mastering plug-ins designed for ultimate signal transparency.
This is a powerful collection of six audio processing plug-ins—
Dynamics, Multiband Dynamics, Equalize, Limit, Verberate and Dither
Delivering ultimate signal transparency and precision, our Mix & Mastering Suite supports VST, VST3, AAX, and AU formats, ensuring seamless integration into your workflow.
Whether you're a seasoned engineer or an aspiring producer, the intuitive interface and high-quality processing tools make it easy to achieve professional-sounding results. Unleash your creativity and take your tracks to the next level with the Mix & Mastering Suite!
Dynamics is a combined compressor, expander or gate. The look-ahead can be set anywhere from 0 to 30 milliseconds and the intelligent algorithm ensures a band-limited gain signal which reduces potential distortion to a minimum even with minimal attack and release times.
You can use up to 4 times oversampling to further reduce distortion. The side chain signal can be either internal or external and there’s a full blown side chain equalizer integrated with low cut, low shelf, peak, high shelf and high cut filters.
Despite the complexity of algorithm, the user interface is intuitive and provides graphical visualizations of all aspects of the processing. With the introduction of Mastering Suite 1.1, Dynamics now offers a new auto-release mode that dynamically changes the release time depending on the audio material.
A new Range control makes it possible to limit the maximum gain reduction during dynamic processing. Parallel compression is easily achieved using the new Mix knob that controls the mix of processed and unprocessed audio.
Multiband Dynamics is the multiband extension of Dynamics which allows dynamic processing in up to four separate bands. You can freely set the cross-over frequencies and even the filter slopes can be set freely in the range 6 and 48 dB per octave.
ultiband Dynamics operates in linear phase mode to avoid phase issues between the processed bands.
Version 1.1 introduces mixed phase filtering which reduces pre-ringing — a well-known problem with linear phase filtering. Pre-ringing smears sharp transients and thus degrades the audio quality. The new Channel Linking parameter controls how independently channels are processed.
Limit is a transparent limiter with intelligent look-ahead in the range 0 to 30 milliseconds that reduces distortion to a minimum. The limiting is performed in a two step process with a pre-compressor follower by the actual peak limiting algorithm.
You can use up to 4 times oversampling for true peak limiting and to further reduce distortion. With version 1.1, the pre-compressor has a new auto-release mode that adapts the release time to the audio material.
Limit is designed for engineers and producers who need loudness without compromise. No coloration, no hype—just clean, transparent limiting that holds up even under heavy gain reduction.
Unlock the power of precise sound shaping with Equalize—a parametric equalizer plug-in designed to elevate your audio to perfection.
With an intuitive interface and groundbreaking features, Equalize puts unmatched control at your fingertips.
Unlike standard equalizers, it allows you to tweak not just center frequency, gain, and bandwidth, but also the filter slope for each band, ranging from a gentle 3 dB to an ultra-sharp 120 dB per octave.
Acon Digital Verberate 2
Reverb isn’t just an effect—it’s the soul of your sound. Verberate takes this to heart, delivering algorithmic reverb that authentically recreates real acoustic environments with unmatched realism.
The original Verberate set a new standard for sound quality, and now, Version 2 elevates the experience even further.
Verberate has the groundbreaking Vivid Hall algorithm at its core, which introduces time variance to eliminate the mechanical feel often found in convolution-based reverbs. The result? Lush, natural-sounding reverb tails that maintain the clarity and density you loved in the original.
With Verberate 2, your soundscape is more alive than ever.
Dither is a professional dithering plug-in with flexible perceptual noise shaping, designed for transparent bit-depth reduction. Dithering is an essential final step in mastering when converting audio from higher resolutions (such as 24-bit or 32-bit) down to 16-bit for CD or other delivery formats.
Without proper dithering, quantization distortion can introduce unwanted artifacts and reduce low-level detail.
By adding carefully shaped low-level noise, Dither preserves clarity and subtle dynamics during bit reduction. You can adjust the maximum gain and filter length of the noise shaping process, and the frequency response is visualized graphically for precise and intuitive control.
The result is clean, accurate conversion that maintains the integrity of your mix.
Our tutorial series show how to mix and master a commercial song using only the plug-ins included in the Acon Digital Mastering Suite along with the free Acon Digital Multiply and Acon Digital Verberate Basic spatial processors.
“Acon's Limiter can take a serious hit and still stay clean. Even when you really push it, it remains impressively transparent.”
Natalie Bibby — AIR Mastering London (Kraftwerk, Bring Me The Horizon, Lewis Capaldi)
“I really didn’t think I needed another limiter plugin until I tried Acon Digital’s Limit! - It does exactly what you want it to do every time!”
Mike Cave — Producer / Engineer (The Noisettes, Professor Green, Tinchy Stryder)
"Reverb plug-ins have come a long way over the years, but one that really stands out is Acon Digital’s Verberate 2. What makes it different is its transparent, natural and prodigious sonic quality. Extremely realistic."
Dean Landon, Double-platinum / Award-winning Songwriter, Producer, Composer & Mixing Engineer
Supported hosts
Logic Pro, Pro Tools, Ableton Live, Cubase, Nuendo, Studio One, Reaper, FL Studio, Luna, Adobe Audition, Adobe Premiere, Davinci Resolve, Reason, Media Composer.
For older host versions or unlisted hosts, please download the demo to verify compatibility.
Audio Examples
Features
Requirements
All examples have been normalized to -23 LUFS for a fair comparison and to demonstrate the signal transparency of the plug-ins. You can find the maximum true peak values for each snippet in the track descriptions (click View track in the list below).